Try Handmade

Shopping blog featuring products made by people not factories.

Quick, look over there

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Brilliant!

I entered the Moleskin 2.0 Exhibition contest. My idea is to use the fore-edge of the notebook. When you fold the notebook length-wise (when the spine practically touches the long edge of the back cover), the fore-edge of the pages fan out. Only when the notebook is folded this way, does a subway map clearly appear. This is due to the fact that the map is printed on the edge while the notebook is positioned like this. You can hide the fact that you are consulting a subway map and be spared the embarrassment and scorn from locals. It’s easier to show you than to explain it.

By B.Light Design via Make.

And his other handmade work is pretty interesting too, so it’s worth a trip over to his site.

studio k

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Another great find in the Try Handmade Inbox…

studio k: aspiring to replace the common with something more beautiful

I am an architectural designer with an interest in all aspects of design. The New York City Map Cuts was my first large art piece. It was created to simplify the daily image of the Manhattan map that every New Yorker sees repetitively throughout any day. By simplifying the map into just an image it revealed much more information than a map crowded with words and symbols and color ever could. The information of city planning, the nature of the city block, and the importance of open space is greatly emphasized in my map cuts, especially the images in white. I love the idea of making a familiar object/image even more beautiful by simply taking away the unnecessary.

Gemma Correll

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As I’ve mentioned before, I’m a huge fan of Gemma Correll’s work. Gemma is a well-known freelance illustrator who also makes greetings cards, screenprinted tote bags and T shirts, pocket mirrors and art prints. Her Etsy shop is my go-to place for funny cards and gifts for my husband, who also loves Gemma’s work!

Gemma has been crafting her whole life, beginning with sewing, knitting and crochet, which she was taught by her grandmother. While at college, she started to make plush characters to accompany her illustration work, and she considers this to be her first ‘serious’ foray into crafting. At the same time, Gemma began to sell her plush characters and felt brooches at bi-monthly craft fairs, organised by Gemma and her friends.

When a friend told her about Etsy, which was not well-known in the UK at the time, Gemma decided to start selling online too. She’s since expanded her reach, selling in shops worldwide and online via her own fantastically illustrated website and Etsy shop, as well as the odd craft fair.

As well as selling handmade items, Gemma is a big fan of buying as many handmade products as possible and would much rather find something unique than buy items from large companies, as she feels there’s more of a personal touch. Unfortunately, Gemma has in the past had ideas stolen by large companies, which is a concern for many independent designer-makers and can put many people off sharing ideas with the wider handmade community.

“In five years’ time, I hope that I am still crafting for fun. As I spend more time working and outsourcing products, rather than making them myself – I simply do not have the time or the facilities to print 500 tote bags by hand, sadly – I hope that I can still enjoy making things just for myself. I hope that I’m still going to craft nights with my friends.”

If you’re interested in finding out more about Gemma’s work, take a look at this Design Week blog post about a mural she has recently completed for Chapter Arts Centre in Wales.

language & meaning designworks

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language & meaning designworks: I’ve been mesmerized by paper for as long as I can remember. I can’t tell you how many portfolios of paper I have…well, actually, I can since they’re right next to me, but I digress.

I started doing fine art collages in college. Inspired by Hannah Hoch and her Dadaist counterparts, I enjoyed playing around with a mix of found images and objects, advertising cut-outs and text and found that I was drawn to their interplay. Really, I suppose you could take it all the way back to when my sister and I would cut out words, fashions and famous people from magazines and make huge poster board displays for our rooms. Luckily for everyone, I won’t be making any homages to the Cure or Benneton any time soon..

I never could wrap my brain around large-scale projects. Instructors were always telling me to step back from my projects for perspective, telling me “you’re too close to that canvas;” guess I was trying to make something big, small. Instead, I opted to create vignettes that (I hoped) had a Joseph Cornell vibe to them. Small seemed intimate, personal; a window into a certain feeling.

I take the same care with my cards, invitations and other paper crafts. I like to think of them as tiny works of art. I LOVE paper! I see ideas in those sheets but I’m not gonna lie, not everything I make is a hug from Jesus. You won’t see any of my design step-children here; only the best for you peeps!

I’m a total and complete art history nerd: modern and contemporary art/photography and mid-century architecture/furnishings. The weirdest thing about me is the way I eat ice cream from the carton – it’s gotta be scraped in a flat, level pattern or all is no bueno in this house! Currently in grad school for my MFA and loving life with my husband, the company of good friends and MAKING STUFF.