Vivifromage bio: DIY handmade clothing from France – Vivifromage is a one-girl operation : I, the owner, imagine the desin, make the pattern, look for the perfect fabrics, and finally sew all the clothes myself. Every item is one-of-a-kind.
What a fun way to get into making felt food![antibromide @ Instructables]
Handmade Nation: The Rise of DIY, Art, Craft, and Design
“Today’s crafters are no longer interested in simply cross-stitching samplers or painting floral scrolls on china. Instead, the contemporary craft movement embraces emerging artists, crafters, and designers working in traditional and nontraditional media. Jenny Hart’s Sublime Stitching has revolutionized the embroidery industry. Each year Nikki McClure sells thousands of her cut-paper wall calendars. Emily Kircher recycles vintage materials into purses. Stephanie Syjuco manufactures clothing under the tag line “Because Sweatshops Suck.” These are just some of the fascinating makers united in the new wave of craft capturing the attention of the nation, the Handmade Nation.
Faythe Levine traveled 19,000 miles to document what has emerged as a marriage between historical technique, punk culture, and the D.I.Y. ethos. For Handmade Nation (along with the documentary film of the same name, coming in 2009) she and Cortney Heimerl have selected 24 makers and 5 essayists who work within different media and have different methodologies to provide a microcosm of the crafting community. Participants in this community share ideas and encouragement through websites, blogs, boutiques, galleries, and craft fairs. Together they have forged a new economy and lifestyle based on creativity, determination, and networking. Twenty-four artists from Olympia, Washington, to Providence, Rhode Island, and everywhere in between show their work and discuss their lives. Texts by Andrew Wagner of American Craft Magazine, Garth Johnson of Extremecraft.com, Callie Janoff of the Church of Craft, Betsy Greer of Craftivism.com, and Susan Beal, author of Super Crafty, supply a critical view of the tight-knit community where ethics can overlap with creativity and art with community. Handmade Nation features photographs of the makers, their work environment, their process, their work, and discussions of how they got their start and what motivates them. Handmade Nation is a fascinating book for those who are a part of the emerging movement or just interested in sampling its wares.” → more info
I first came upon Mike O’Brien’s work at the Fenton Street Market, where a poster of his caught my eye. It was all black and white and a bold sunset orange. As is typical for me, I was drawn to the colors long before I even noticed what the images were or what the text said.
Turns out it was a poster for a concert, and although I was unfamiliar with the band, the first thought that popped into my head (after “wow, what a gorgeous orange”) was: I haven’t been to the Black Cat in a really long time.
Not only was it obvious that Mike had a great eye for color, it was also clear he’s really into music. A lot of Mike’s artwork is for concerts, bands, and musicians, and his love for music is evident in the energy of his illustrations. He loves the DC music scene and is inspired by punk rock and its DIY mentality, and it really shows, to spectacular effect.
Mike is a graphic designer with a passion for screen printing. Although he studied journalism in college, he was secretly much more interested in drawing comics for the school paper than writing articles.
After figuring out his true calling was in illustration rather than in writing, Mike found himself intrigued by the process of screen printing. His natural DIY spirit led him to experiment on his own, with zero background knowledge on screen printing, which (as anyone with a DIY spirit is familiar with) led to mixed results.
Mike eventually began collaborating with a friend Kevin Gomes, a much more experienced screen printer, who was happy to show Mike the ropes and the finer points of the process. Mike fell completely in love with screen printing, so much so that he built his own equipment! And the rest, as they say, is history.
Technically, screen printing is still Mike’s hobby and graphic design his job, but the two are so closely related for him that the lines blur quite a bit. “Graphic design is the organizational aspect of illustration – ie figuring out where to put what,” he explains. “Illustration is the raw creative aspect of graphic design – developing the imagery that then gets organized.”
Whenever he is able, Mike is creating images and using his home screen printing studio to replicate them by hand, in what he calls “an exercise in patience and tactile precision.” Although both his illustrations and his graphic design work start out as sketches in a notepad, his illustration work keeps him “grounded in the analog world.”
Visit Mike’s website to purchase his artwork, and to find out where to find him at DC area art events.