Kate MccGwire: Intrinsic to her method is the collecting and sorting of materials from hundreds of different sources over a period of months, even years. In turn, pieces evolve intuitively as if out of the subconscious, the language evocative rather than purely illustrative. As the work takes shape, a new, playful reality emerges, so that the object itself becomes a sort of prism, refracting the layers of meaning and cultural associations buried within, the quantity of materials used sometimes deliberately overwhelming, as if charged with a power and ambition beyond the reach they possess when seen in isolation.
Fantastic cards reminiscent of topo maps.
Crafterall: Choosing a name for my shop was like choosing an image for a tattoo — I wanted it to be meaningful, easily recognizable, and something that represented what I do. Since I have a pull towards all things crafty, I created a name that alludes to multiple media, purpose, and price. In a nutshell, I hope to create items that appeal to a diverse group of people who share one common trait: the appreciation of handmade works.
Souther Salazar was born in 1978 in Hayward, CA. As a teenager in the early 1990’s, Salazar made photocopied cut-and-paste minicomics and ‘zines in his bedroom in rural Oakdale. After graduating from Art Center College of Design in Pasadena, Salazar moved to Los Angeles where he currently lives and works. His artwork reinterprets the world, making it into a mythical place full of carnivals, lost cities, giant insects, dinosaurs, and a variety of other creatures. He mixes media, adding layers of storytelling to create his imagery, which can be explored for hours. Salazar exhibits his collages, paintings, drawings, and sculptures in dense and frenzied installations that encourage exploration and participation by the viewer. His work has been exhibited in galleries and Museums in cities around the world including: New York, Los Angeles, Portland, Tokyo, and São Paulo, Brazil. via