About this stunning bracelet by juiceglass
This bracelet took a lot of time and joy in the making. Created with my own lampwork beads, jade stone, bits of seashell and sterling wire, it is a unique piece. A little girly, a little earthy, a little beachy!
Three pillow shaped lampwork beads are the bright center of the design. Each is flanked by seashell caps, which also are paired with glowing chips of jade stone on dangles. Sections of hand forged sterling wire create links between the lampwork beads, and the entire piece is clasped with a hand forged clasp, compete with a jade stone briolette dangle wrapped in more sterling wire. The entire piece was tumble hardened for hours, then given a rustic patina for an aged, finished look. Entire bracelet is a little over 7.5″ long.
All glass beads are made by me in Bullseye glass, a local glass company, and cleaned in harvested rainwater. All beads are digitally annealed for strength and durability.
It’s shocking, really, how startlingly lovely this ring is. They’ll make one in your size, so pick a finger and go. By Catherinette Rings.
What is your craft / art / creative endeavor?
I make handmade pendants and wire wrapped jewelry. The pendants I make are all by methods that I have invented myself! The wire wrap jewelry I make is to fulfill my desire to be able to make something beautiful, quickly, since all of my other jewelry takes so long to make!
I make four different types of pendants; micro mosaics, miniature sand painted pendants, fabric pendants, and hand painted embossed pendants.
The micro mosaic pendants are made by hand stretching glass into micro thin rods of glass that I cut down into tiny tiles that are about 2mm in length and 1/2 a mm in thickness. I make the design and then cover the design in resin to protect it. It takes hundreds upon hundreds of these micro tiles to make a pendant and I don’t make too many of them because they are so time consuming!
The miniature sand painted pendants that I make are inspired by the Native American art of Sand Painting. I make a design out of silver wire and then inlay the colored sand to the design. Then, I cover my sand paintings in jewelers’ grade resin to protect them and make them waterproof.
The fabric pendants are made by embossing a design into metal and then hand cutting fabric to be inlayed into the design. I also protect these with resin.
Finally, the hand painted pendants are made by embossing metal and using a metal paint to fill in the design and then finish it off by covering it in resin.
How did you get started? Have you worked in other creative areas before the kind of work you’re doing now?
I used to be a nurse, but I have been making jewelry since childhood. I made everything from elaborate friendship bracelets to brick stitched seed bead earrings. I really always wanted to make jewelry for a living but when it was time to go to college a nursing degree seemed more practical. I decided, years later and after having my kids that I didn’t want to be a nurse any more, but to stay at home with them. I soon discovered that as much as I love playing with them, I needed a more creative outlet than playdoh. I decided to finally make the jewelry I have always wanted to make.
I had planned to go back to school to learn how to make jewelry by conventional methods so that I could have a home business, but I just never found time to go. Instead, I just started inventing my own methods to make jewelry in my spare time. I really wanted to make something totally different than other people were doing. The micro mosaic invention took three years to perfect but then the invention of everything else just fell into place fairly quickly. And now, here I am!
Is there a story behind the name of your shop?
My shop name “Twist 21” comes from the idea that I put a twist on past forms of jewelry or art to make them new again. Micro mosaics and sand paintings have been around for a long time, but there are no books (at least that I could find) that could teach me how to make micro mosaics… and as far as I know, no one else has ever made a sand painting into a pendant. So I came up with my own twist on an old idea! The 21 in my shop name is because 21 is my lucky number.
Do you work alone? With a team? Do you engage your family or friends in the work? What is your process? How do you ensure you get your work done yet still have a life?
All of the jewelry is created by me. My husband helps by watching my two kids while I sell at craft shows and over the weekends when I do most of my jewelry creation. Most of my work is done late at night, during nap times for the kids, and over the weekend. I get very little sleep, but I really enjoy having my time with my kids as well as my creative time. Sleep will just have to continue to be on the backburner for a while!
Where do you sell your work? Which venues are your favorites? Do you prefer selling online or in person? Do you attend shows or fairs? Is your work in a gallery or brick-and-mortar store?
I enjoy selling both online and in person. I do find that I sell more in person since people seem to like to try things on and really touch jewelry before they make a decision, but I enjoy being able to sell to people all over the world by selling online. I don’t think I prefer one way of selling over the other.
I’d love to sell my jewelry in actual stores but I haven’t figured out how to make that happen yet!
Do you have any favorite handmade shops or sellers?
What inspires and motivates you?
I am inspired by all forms of art and really enjoy inventing something new out of an old idea. Obviously, I am a fan of antique micro mosaics, and Native American sand paintings. Most of my designs that I use for my pendants are not my own (though some are.) I use royalty free images that I have permission to use so that I have a broad range of styles for my pendants. Having so many different patterns and different types of fabric keeps me motivated and interested so that my craft never gets boring to me.
What do you wish I had asked you?
“When did I start loving art/jewelry?”
My father says as an infant, I was a really calm baby who never really got too excited or upset about anything. (I take this to mean I was pretty boring, but I don’t think that is what he meant!) But at just a few months old, my parents took me into a store in Arizona that was selling Sand Paintings and Native American jewelry and I just lit up. He said I grabbed at everything and was just really excited. He thought at the time that my excitement over jewelry was just a sign that girls are more expensive than boys…but now, it seems clear that I just always liked jewelry and art. I think that making jewelry is just something I was meant to do.
Thank you Danielle! And if you want to be interviewed next, just head over to DIY Interview.
TQB Designs: I have been making my beaded rounds for almost 15 years now. I am self-taught in the art of bead weaving and developed a system to create these textural rounds, ovals, squares, cylinders, and barrel shaped beads.
I meticulously weave each bead myself in the traditional gourd stitch and each woven sphere contains anywhere from 50 – 700 individual seed beads.
I also create many of the metal worked components. I found it more and more difficult to find the exact commercial part that reflected the look I wanted with my jewelry. So, I decided to start making my own that conveyed my aesthetic and found it so much more satisfying taking the time to make something,for example, as simple as a beautifully designed ear wire.
Ruth Jensen: I’m enthralled with the transparency of wire. It’s perfect for revealing the extraordinary beauty, transience, sometimes humor of what appears to be ordinary. I make each sculpture one twist at a time, without patterns or molds, using bazillions of pieces of straight wire. I “see” the shape I want, and make the wires come together in that shape, like putting a puzzle together. (I love puzzles.) My pieces are meant to intrigue and delight the viewer, to combat the overabundance of dull ugliness in the world.